Biographies of sound facilitators often dwell on teachers and retreats. Here is how much weight those stories deserve, plus more revealing questions to put forward.
Biographies of sound facilitators tend to dwell on the mentors they studied under, the retreats they attended and the far-flung places where they learnt their craft. That background may hint at a style, but it offers no forecast of what you personally will experience on the mat.

Whoever you are considering in Sydney, the more productive line of enquiry concerns the session you would attend. A training narrative is backdrop. It cannot describe the volume, the pacing or the room you will be lying in.
Lane Cove clients can book sound sessions with Dr Christine Shen, Acupuncturist. Before booking, you might put these to Christine:
A thunderous gong or an awkward lying position does not become compulsory simply because it featured in somebody else's workshop. A clear picture beforehand, plus licence to tweak things on the day, turns a session into a choice you have genuinely made.
Loudness, distance, seating and breaks can all be negotiated. Nobody is waiting for you to feel a specific emotion or to lie as still as a statue. Christine describes her sound work as relaxation, which is a world away from any claim to address a medical condition.
Because sound work falls outside the health professions that national registration covers, training descriptions vary enormously in depth and meaning. Rather than ranking providers by the length of their biography, notice how clearly each one explains the session itself, and whether they welcome questions about volume, positioning and stopping early. Those answers will tell you far more about your likely experience than any list of retreats. It is your hour on the mat, after all, so it should be shaped around you.
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